tetw:
Will Robert Kyncl and YouTube Revolutionize TV?
On TV, airtime is a scarce resource; on YouTube, it’s infinite.
tetw:
On TV, airtime is a scarce resource; on YouTube, it’s infinite.
In the ultimate pursuit to discover the impact of social media interaction on viewers’ engagement, MEC and Seven recently united to undertake a neuroscience study with Neuro-Insight, with the study revealing that when TV viewers interacted with social media while watching a program, there was a 9% increase in program engagement.
The power dynamic will not shift overnight, but the newly announced launch of Google Fiber in the tech-savvy gulch that is Austin, Texas, has legacy cable operators shaking in their boots. And with good reason.
Google Fiber Set to Challenge Data/TV Providers | Adweek

How much attention is OTT getting? The Interpret LLC’s New Media Measure syndicated report sets the number of US consumers age 18-65 that own an Internet-enabled set top box (like a Roku player, Apple TV, Slingbox, Vudu box, etc.) at 13.6%, reported a company spokesperson. Less than 14% may not sound like much, but OTT has been around for only three years. And Interpret’s numbers don’t include the millions of users watching alternate video sources like YouTube and Vimeo. March 17, 2013 at 02:09PM
Viewers are already changing the way they watch TV and that inflated cable and satellite bills are starting to take an affect on the bottom line. Last year was the first year that cable subscriptions not only stopped growing, but took a small dip from 100.9 million to 100.8 million households. Those household numbers are expected to shrink to 94.6 million households by 2017. Pay-TV companies and networks need to make a change to stop the loss of cord cutters and entice the potential audience that’s never paid for TV. Over-priced bundles with channels no one watches will only serve to alienating customers and potential customers. (via Intel Could Lead Push to A La Carte Pay TV | Gadget Lab | Wired.com)
∙ Cord cutting is real; it’s just not what you think it is. It’s a great irony that TWC has built an app for Roku, which was not long ago seen as a device for cord cutters: people who ditch their cable TV subscriptions in favor of content delivered entirely over the internet. (Even more ironic: Before it was spun out as a separate company, Roku was initially developed by Netflix.) March 11, 2013 at 11:48PM
Netflix now has about 30 million streaming subscribers worldwide, more than 25 million in the United States, in addition to about 8 million people—admittedly dwindling daily—who still pay to get DVDs in the mail. At $7.99 a month, that’s about $3.6 billion a year rolling in. Nearly a third of all U.S. Internet streaming traffic in the evening comes through Netflix. (YouTube accounts for 13 percent, Facebook less than 2 percent.) February 07, 2013 at 02:26PM
After crunching the numbers, the Atlantic Wire’s Rebecca Greenfield notes that Netflix will need an additional 520,000 subscribers to cover the $100 millon cost of the project — not a significant increase, percentage-wise, to its existing 33 million userbase. Netflix’s plan is to roll out at least five new shows a year, meaning they’ll realistically need a 10 percent increase in users to cover costs. February 04, 2013 at 10:19PM
So don’t be too shocked if something as insanely impractical as the C’SEED 201-inch home theater behemoth becomes ubiquitous. The Porsche-designed outdoor TV screen, billed by C’SEED as the world’s largest, features a high-resolution display comprised of 725,000 LEDs all working synchronously to project as much as 4.4 trillion colors at 5000 nits of brightness.
‘World’s biggest TV’ designed by Porsche [video] | SmartPlanet
Gerd adds: talk about ‘Obsession with MORE’ — digital obesity here we come!!

(via greenfuturist)
Producers will now increasingly create content that includes us in the event and the storyline. Architects of social and hardware platforms will need to rethink how TVs and the internet converge to foster consumption and engagement. And, those brands who subsidize content production, will have to transcend the practice of following attention to captivating it through innovation and experimentation. January 02, 2013 at 12:44PM
