Of course, the music industry has a long tradition of separating a song’s profit from its creators. Still, wrote Krukowski, “the ways in which musicians are screwed have changed qualitatively, from individualized swindles to systemic ones.” May 16, 2013 at 12:43AM
Twitter #music
Twitter appears set to launch a music service although what it is is still under wraps. Yes, you can go to music.twitter.com (pictured above) but when you get there and try to sign in, nothing happens.
Via the BBC:
Reports suggest the new service will offer personalised recommendations on music through its own dedicated app.
US celebrity host Ryan Seacrest confirmed the existence of Twitter’s new app on Thursday via a tweet: “playing with @twitter’s new music app (yes it’s real!)… there’s a serious dance party happening at idol right now”
AllThingsD reports that the service will launch this weekend to coincide with the Coachella music festival.
Spotify is now nearing a new deal with the labels to let it offer more free music on its mobile app. Why? Its data shows that many people are discovering Spotify on their phones, ignoring the desktop client entirely…”
Gerd adds: hear hear ;)
IMHO despite the fact that I love Spotify I think the record labels’ approach of having your cake and eating it will ultimately stop them from getting anywhere close to enough paying users to sustain them beyond VC money. Ek rocks, though ! April 12, 2013 at 09:24AM
Music is a much smaller and less significant part of many people’s lives than 10-20 years ago. There is more competition for our attention and the value of music has declined precipitously. This graphic shows the rise of digital against physical music, and the overall impact of piracy, widespread distribution and digital media on the music industry. The sad story is that overall the music business is shrinking. That is a fact that we all have to face. The silver lining in all of this may be on the horizon, but it cannot come soon enough for me. We have to do something to reverse the trend.
The Sad Truth about the Music Business – Digital Cowboys (via futuristgerd)
- futuristgerd: (via MediaFuturist: New video: Rebooting Media:… (gerdandross.com)
- “While streaming is especially popular with younger consumers, downloading music through services…” (thefuturesagency.com)
- futuristgerd: (via MediaFuturist: New video: Rebooting Media:… (thefuturesagency.com)

What makes us successful: Nicholas McRoberts at TEDxCollegeBeauSoleil (by TEDxYouth)
according to internal Spotify data, after an initial burst of interest that resembles the pattern for sales of music, a funny thing happens. Songs in the company’s catalog are played again and again, with no diminution in popularity. The reason is simple: people are building playlists. It’s as if an artist were paid every time one of their fans dropped a needle on their record…”
Gerd comments: I love Spotify and certainly hope they can indeed change the way the music industry work - all it will take is approximately $3 billion in VC money ;) November 27, 2012 at 08:09AM
Among the bigger-name streaming services are Spotify, which uses a freemium ad-supported, desktop app-based model; Rdio, which takes a tiered, cloud-based approach; and Pandora, whose personalised streaming radio is also available on a freemium ad-supported model. There’s also Wimp, Rara, Napster, We7, Pure, Last.fm, Senzari, Grooveshark, Sony Music Unlimited, Songza, Mog, Samsung Music Hub, and Microsoft’s Xbox Music, to name a few. In total, more than 500 legal music services are operating across the world, together having registered over 13 million paying subscribers - a figure that jumped more than 65 per cent last year, according to the International Federation of the Phonographic Industry’s (IFPI) Digital Music Report 2012 ….
Too big to succeed: Is the music streaming market doomed to failure? | ITProPortal.com
It’s all about access, not ownership. And Freemium. The music business needs to get this, or fold.

(via futuristgerd)
- “While streaming is especially popular with younger consumers, downloading music through services…” (thefuturesagency.com)
- futuristgerd: Think about it for a minute: Google knows our… (thefuturesagency.com)
- futuristgerd: (via MediaFuturist: New video: Rebooting Media:… (thefuturesagency.com)

Check out this quite entertaining new video of a web-conference with Andrea from Digital Music Trends, on the topic of Internet Radio Acts, Pandora, Google’s Free matching & more (by Andrea Leonelli).
Sirius, for example, pays 8 percent of its revenue to record companies and artists. Pandora pays a fraction of a cent each time a song is streamed, which last year amounted to about 54 percent of its revenue, or $149 million.
“The rate being too high dramatically depresses how much music gets played,” Mr. Westergren said in a recent interview. “It has really suffocated the industry.”
Gerd adds: the music industry loves to choke their golden geese. Pandora should pay a percentage of revenues just like any other radio service, IMHO. November 05, 2012 at 06:34PM
Future of Online Music, a set on Flickr.
A quick update on the future of digital music and the need for a new digital music license. Be sure to download (and read:) my Music 2.0 book, it’s free via http://www.mediafuturist.com/2011/01/freebooks.html
- (via MediaFuturist: JWT’s Things to Watch: Music Edition… (futureof.biz)
- futuristgerd: (via MediaFuturist: New video: Rebooting Media:… (thefuturesagency.com)
The Futures Agency (TFA) helps brands, companies, organizations, governments and individuals to better understand - and then, act upon - the challenges and opportunities facing us in the next 3-7 years. We aim to find, filter and share actionable foresights, and work with our clients to imagine and design their preferred futures.
We are structured as a virtual organization with global reach, deep personal knowledge and real-life experience. We offer a variety of services to our clients, worldwide, such as seminars, keynote speeches, presentations & provocations, and general advise.

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